Summary
My journey into the world of sound design began with music production. Over time, driven by the desire to elevate my tracks to a higher level, I realized I needed technical knowledge and skills that I had not yet developed. I enrolled at the Faculty of Dramatic Arts to deepen my understanding of soundscapes and the underlying principles of audio.
Although my primary goal was to overcome challenges in music production, sound design quickly captivated me as a new medium of expression. During my studies in the Sound Design Department, I began exploring the full range and possibilities this field has to offer.
Experience
Showreels
Game Audio & Interactive Systems
Game Sound Design Reel
This reel combines a mix of interactive implementation and linear sound redesigns. The first segment features custom audio assets integrated dynamically using FMOD and Unreal Engine 5, followed by two conceptual linear redesigns for Assassin’s Creed Origins and a League of Legends cinematic, both built and mixed entirely in Nuendo.
Game Music Demo Reel
This reel presents four examples of my game audio work, including original music and full sound redesign. Slipstream and Gonzo’s Quest feature both music and SFX redesign, while Hades II and Planet Crafter focus on original music composition.
The goal of each piece was to make the audio feel like a real game experience, with music supporting the soundscape instead of overpowering it. Each example was built in Nuendo and mixed to sit naturally with gameplay footage.
Linear Media & Commercial Production
Cinematic Sound Design Reel
A showcase of narrative audio and cinematic mixing, featuring a short film I originally worked on as an ADR Recordist. With permission from the producer, I created a completely original sound redesign and musical score, demonstrating my approach to dialogue integration, atmospheric depth, and linear storytelling.
Made with Bullet